Real Shiat Baby.Enjoy!!!!!


06 settembre 2007

NINE - RETURN OF THE HARDCORE (REQUEST)



Tracklist:

01 Intro
02 I'm Comin'
03 Don't Look Back
04 Love Me Or Hate Me
05 Is What It Is
06 Not A Problem
07 Don't Cry 4 Me
08 I Pray
09 Call My Name
10 U Don't Know
11 Stuck U Up
12 Nickel Plated
13 Whatchu Benchin'
14 Who Wit It


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Pass: www.rhhb.blogspot.com

21 agosto 2007

E' ora di scrivere qualcosa...

Da' un po' che non posto un po perche' non e' uscito niente un po' la voglia che manca un po' perche' sono io e un po' perche' quello che e' uscito mi fa' defecare.
Da segnalare l'incredibile flop dei Lordz Of the Underground:



Un album sotto tono che prorio non lascia niente.Marley Marl porudce una base che difficilmente potra ripetere spero'che potrebbe far schifo anche ad un sordo.
Il resto e' di pari passo ma se sento ancora una volta English Mami potrei tagliarmi le braciette da solo.

VOTE: TOTAL 5,5/10


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L'album invece di Cl Smooth non mi e' sembrato afatto male pero' ci devo stare ancora dietro ma comunque non e' niente di che.Vi propongo invece il video di Ill Poetic dal suo album The World is Ours che e' un classico per me.Don't Sleep on this.



Spetaccolo.


Ma adesso andiamo un po' indietro,l'altro giorno ho riscoperto un certo album,Escape From Havana di Mellow Man Ace e seppure non sia un mostro al microfono e certe volte fa' troppe songs per le donne,questo album non e' afatto male.Le skillz in spagnolo si mescolano con quelle in inglese e per me lui e' un genio.Se poi pensiamo che questo album e' uscito nel ormai lontano 1989 be' che dire grande veramente.




VOTE : TOTAL 7/10


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E qui il video per MENTIROSA ( BUGIARDA ):




Eppoi Ja Rule mi fa' riprendere la speranza che forse non del tutto e' sempre perso.Lui e' stato un coglione in questi tanti anni e molti hanno fatto la sua stessa fine,cioe' cominciando con un buon e o ottimo per poi finire in pasto al Mainstream e fara canzoni commerciali solo per vendere..ma se questa Tracklist di The Mirror e' vera mi fa' molto ben sperare.





Tracklist per The Mirror:

1. “Body”
Produced by Channel 7

2. “Uh-Ohhh!!!,” featuring Lil Wayne
Produced by Minnesota

3. “Father Forgive Me”
Produced by Channel 7

4. “Free”
Produced by Channel 7

5. “Damn”
Produced by Rick Steel

6. “Ladies”
Produced by Erick Sermon

7. “Rules of Engagement”
Produced by Arizona Slim

8. “300”
Produced by KNG Ent./A Park LLC

9. “Judas”
Produced by Mailman (Drama Family)

10. “Sunset,” featuring The Game
Produced by Rick Steel

11. “Something New”
Produced by Erick Sermon

12. “Enemy of the State”
Produced by Chink Santana and Irv Gotti

13. “Love Is Pain”
Produced by Chink Santana and Irv Gotti

14. “Hear Say”
Produced by Rick Steel

15. “Sing a Prayer For Me”
Produced by Chink Santana and Irv Gotti


Ancora non ci credo solo 2 feat e alcuni titolti sembrano davvero interessanti chi vira' vedra'.


Concludo con un album del 2007 che e' questo qui:


Fatty Phews - 23 Years In The Making




E non e' niente male,alcune basi sono spetacolari,l'mc pero' non mi entusiasma ma ci so' alcune sorpresine.


Tracklist:

01. Cause and Effect 03:47
02. Ment To Be Ft. Class A 03:40
03. Not Givin Up 04:08
04. Inspiration Ft. Austin 04:03
05. All I Want Ft. Spit 03:11
06. From the Underground Ft. Austin 04:03
07. In a Cipher 02:31
08. Sexy Beats 04:15
09. Nightmare Ft. Autism 03:13
10. Insomnia 02:29


VOTE : BEAT 8,5 LYRICS 7 TOTAL 7,5


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11 agosto 2007

My Field Trip to Planet 9 - Justin Warfield




Tracklist:

1. Tequila Flats
2. 'Introducition' By Ellis Dee
3. Dip Dip Divin'
4. K Sera Sera
5. Fisherman's Grotto
6. Live From The Opium Den
7. Glass Tangerine
8. Guavafish Centipede (Aquatic Meditations)
9. Teenage Caligula
10. Cool Like The Blues
11. Drugstore Cowboy
12. Pit It Up Y'all
13. B Boys On Acid
14. Stormclouds Left Of Heaven
15. Thoughts In The Buttermilk
16. Tequila Flats (Ghosts Of Laurel Canyon)



Ho trovato molte piccole reviews in giro e piu' o meno tutti dicono la stessa cosa,c'e' chi grida al capolavoro c'e' chi dice che sia un ottimo album ma non ho trovato nessuno che dia un parere negativo.nessuno.Detto questo state attenti che dentro a questo album ci saranno parecchie sorprese.L'album esce nel 93 produzioni date quasi tutte a Prince Paul e Justin ha appena 18 anni quando caccia questa perla.
Amate i De La Soul? i Tribe Called Quest? i Public Enemy ? i Pharcyde ?.Se si' questo album e' per voi ma non solo.Andateci molto piano con questo album,e quando passerete le giornate sullo stereo con Fisherman's Grotto,Cool Like The Blues,Drugstore Cowboy,Thoughts In The Buttermilk e Pit It Up Y'all ricordatevi di me.Un ultima cosa scusate ma le traccie sono alla rinfusa.

BEAT 9 LYRICS 9 TOTAL 9,5


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10 agosto 2007

Justice System - Rooftop Soundtrack





Tracklist:


1. Due Our Time
2. Trouble on My Mind
3. Flexin' tha Ill Funk
4. Dedication to Bambaataa
5. Summer in the City
6. Santana
7. Ill-River Expedition
8. Justice Funkin'
9. Jacquelina
10. Just Because
11. Soulstyle
12. Take It to the Stage
13. Summer in the City [Sunshine Blend]
14. Jacquelina Outro



Review by (? "UnspokenHeard ?" ):


What you're looking at here, is the most musically diverse and original masterpieces in hiphop, from a time when creativity and orginality was at its peak, 1994. Rooftop souncheck is one of the best albums, that you've never heard of. As with many groups from the 90's, Justice system never got the recognition they so deserved, and as a result have to be one of the most slept on & under-appreciated groups ever to make an album. The first thing to note about this album is the fact that it is very fresh, with all real instruments which just gives of that pure vibe, that is sadly missing from Hiphop, now and then (Similar to the roots, but more funky and with more instruments being played). Justice System consists of; Folex (MC), Jahbaz (MC,Scracthes), Coz Boogie (Bass), Wizard C Roc aka Mudfoot (Guitars) Mo' Betta Al aka Starchild (Tenor Sax, Rhodes Piano), Eric G (Drums) & Bim - E ("Raw Bronx vocals"). The best thing, every artist holds their own, and contribute their essence to make "rooftop souncheck" a total essential to those looking for Hiphop done right, for the love & purity of what it is. Now, unlike what another reviewer has said, the MC's (Folex & Jahbaz) are phenomenal, and posess that typical freestyle/original b boy flava that was so evident in the 90's. By no means necessary do they have an "old school flow", both flippin' their styles from fiery to laid back whenever they need to, to suit the beat. Similarly, the lyrical substance displayed throghout the album is very thought provoking, down to earth and most importantly conscious ; Justice system are all about making music, not gimmicks.

There are 14 tracks on the album (2 of which are short musical interludes and "Santana" being a track with no Mc'ing, allowing all musicians to display their natural funk and raw talent). THERE IS NOT ONE SINGLE WEAK TRACK ON THE ENTIRE ALBUM, nor is their any tracks that even scrape "OK", with each song having it's own concept; they all bring their own individuality and enable the hiphop heads to truly indulge in a variety of music, straight consistency.

Now after reading this, I beg fans of that TRUE hiphop, the type that doen't talk about materialistic ish or gimmicks, to cop this right away. It needs to be in your collection, don't even listen to it (take my opinion for what it is worth) and show respect where respect is due to one group who ironically, gained absolutely no justice under the system.What a shame. PEACE! DON'T SLEEP ANY LONGER!

Lyrics - 10/10
Beats - 10/10
Origianlity - 10/10
Replay Value - 10/10 >>>>>>Flawless



Bene questa review mi sembrava la piu' appropriata,anche se forse tutti questi 10 sono esagerati.Questo disco esce nel 1994 l'anno d'oro dell'hip hop.Loro sono un gruppo e sono: Folex (MC), Jahbaz (MC,Scracthes), Coz Boogie (Bass), Wizard C Roc aka Mudfoot (Guitars) Mo' Betta Al aka Starchild (Tenor Sax, Rhodes Piano), Eric G (Drums) & Bim - E ("Raw Bronx vocals").Questo e' un alFolex (MC), Jahbaz (MC,Scracthes), Coz Boogie (Bass), Wizard C Roc aka Mudfoot (Guitars) Mo' Betta Al aka Starchild (Tenor Sax, Rhodes Piano), Eric G (Drums) & Bim - E ("Raw Bronx vocals").Da quelle che avete capito questo e' un album quasi perfetto,non si skippa niente e' tutto da ascoltare.

BEAT 9,5 LYRICS 9,5 TOTAL 9,5



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BUT THIS


09 agosto 2007

Panacea - The Scenic Route




Tracklist:

1 Intro
2 The Scenic Route
3 Flashback to Stardom (feat. Raheem DeVaughn)
4 Pops Said
5 Epiphany
6 Between Earth & Sky
7 Bubble
8 Square 1
9 Blue Ice
10 Walk in the Park
11 Aim High
12 Katana
13 One Shine
14 Outro


Panacea’s follow up album, The Scenic Route, will be in stores on September 4th! Glow-in-the-Dark Records will again be releasing this album in a joint-venture with Rawkus Records. The production is helmed by K-Murdock the maestro behind "Mood Musik vol 1" the official soundtrack to Spring (I am waiting for the Summer jump off, hopefully that is in the works). Raw Poetic is on vocal duties. Guests include: Jive Records R&B star Raheem DeVaughn, DJ Spinna, and Raw Poetic’s cousin Point Blank.



Il duo e' di Washington e dopo Ink Is My Ink rilascieranno questo album in data 4 Settembre.Loro sono K-Murdock che sta' alle macchine e Raw Poetic al mic,un album da ascoltare sicuramente,i beat secondo me avvolte peccano ma l'idea dell'album e' quello pero' al mic Raw Poetic non sbaglia niente.Probabilmente con delle produzioni piu' potenti avrebbe fatto il colpaccio,veramente un gran flow e delle liriche pazzesche.Rapreviews.com da' 8 a questo album sia per la musica sia per le liriche,visto che e' stato dato il voto di 10 all'album degli UGK mi pare che rapreviews abbia perso la testa.Per me:


BEAT 7 LYRICS 9 TOTAL 8



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MY SPACE


OFFICIAL WEB SITE

Domenica 5 Agosto Sono Stato Al Rally Alpe Del Nevegal.




Gli album da ascoltare sono tanti.Avvolte non riesci a starci dietro del tutto ma internet aiuta come sempre.Domenica sono andato a lavorare a questo rally,di gara ne ho vista ben poca ma le mie tasche almeno si sono riempite.Devo dire comunque che e' stata na bella cosa consigliato un po' a tutti.L'unico problema che ho/abbiamo avuto nel nostro lavoro che era quello di dare i biglietti,i soliti rompi palle che non vogliono pagare,pure a me 10 euro mi sembrano tanto per una gara pero' avvolte mi sorprende quanto la gente sia tirchia oppure non ha soldi.L'italia e' in crisi???
Buona risposta.

04 agosto 2007

Prop Dylan - A Garbage Pail Kid




Tracklist:


01 intro
02 A Garbage Pail Kid
03 Can you imagine
04 As good as it gets feat. Wordsworth
05 Johnny Raincloud Blues
06 That was back then feat. Carl Noren of Sugarplum Fairy
07 Big dreams
08 No dime a dozen feat. Kashal-Tee & Pumpkinhead
09 It's alright now
10 Trinity
11 Two steps forward
12 Clash of the titans feat. Block Mcloud, Sekken Thautz & K-Element
13 Honey
14 On the run
15 Keep it flowing feat. Oktober Zero


PROP DYLAN -"A GARBAGE PAIL KID " ALBUM IS NOW AVAILABLE: The album features WORDSWORTH, PUMPKINHEAD, BLOCK MCCLOUD from BROOKLYN ACADEMY, OKTOBER ZERO, KASHAL-TEE, K-ELEMENT & SEKKEN THAUTZ. Production by SOUL SUPREME, MASSE, BENEFIT, FLYPHONIC, S.RAW, PRINCE MALEEK & ASTMA DLX.

Lui e' svedese,questo e' una gemma assoluta.Non dormite oltre.


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Whiskey Blanket - Credible Forces




Tracklist:

01 Credible Sources
02 The Probable Antagonist
03 Temptations
04 Seamless
05 Ritenoir
06 Night Waltz
07 Necessity
08 Make Believe
09 Introduction
10 Improper Paradise
11 Immaculate Dungeon of Manifested Solitude
12 Don't Get Hirt
13 Divine Atrocity
14 Dark Secrets
15 Crunkster Malunkster
16 Wake and Stretch




Loro sono Steakhouse (MC, Producer, recording engineer, pianist/bassist, turntablist) Funny Biz (MC, beatboxer, cellist ) e Sloppy Joe (MC, violinist).Hanno un enorme talento e sono insieme dal 2002 e hanno rilasciato il loro primo album nel 2004.Questo e' un album veramente splendido loro parlano principalmente della vita e dei suoi valori,non dormite sopra a questo album perche' loro sono spettacolari in tutti i sensi.

BEAT 9 LYRICS 8 TOTAL 8,5


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MYSPACE

03 agosto 2007

The Pharcyde - Bizarre Ride II




Tracklist:

1. 4 Better Or 4 Worse (Interlude)
2. Oh Shit
3. It's Jiggaboo Time (Skit)
4. 4 Better Or 4 Worse
5. I'm That Type Of *****
6. If I Were President (Skit)
7. Soul Flower (Remix)
8. On The DL
9. Pack The Pipe (Interlude)
10. Officer
11. Ya Mama
12. Passing Me By
13. Otha Fish
14. Quinton's On The Way (Skit)
15. Pack The Pipe
16. Return Of The B-Boy


Review (Amazon.com) :

Like De La Soul's Three Feet High & Rising, the Pharcyde's 1992 debut came at a time when hip-hop was headed in one direction, but the group was going somewhere else entirely. A crew of spunky b-boys armed with a self-deprecating sense of humor, the Pharcyde made an album that was fresh and profoundly honest. "Ya Mama" is a clever array of mother jokes set to cartoonish beats; "On the DL" has each MC unguardedly making self-denigrating confessions (like Fat Lip admitting to masturbating--previously a hip-hop no-no); and "Passin' Me By" is an ode to hopeless crushes on unattainable women. The group's playfulness was also infused with smarts, too, most visibly on "Officer." Recorded around the time of the Rodney King verdict, the song was an indictment of racial profiling--shrouded, of course, in a comic tale that parodied Public Enemy's "Black Steel in the Hour of Chaos." With animated beats from J-Swift (the West Coast version of Prince Paul) and four distinct rhyming styles, particularly Slim Kid Tre's melodiousness and Fat Lip's nerdiness, this album captures an innocence rarely seen in the music's posturing ways. It's something that this album captures forever.


Review (Raprevies.com) :

Much like the Wu a short while later, in 1992 The Pharcyde entered the hip hop landscape as a fully-formed entity, not only a dope-ass group but damn near a valuable and refreshing philosophic, musical and aesthetic movement. Emerging from the left coast, they flew under the radar of the gangsta craze, instead joining with fellow creative oddballs such as Freestyle Fellowship and Souls of Mischief (and later Project Blowed, Solesides, etc) to create music that was damn funky but also thought provoking. When their debut LP "Bizarre Ride II the Pharcyde" dropped, the excitement it created for the relatively small number of heads who heard it was palpable.

Unfortunately, after a series of increasingly unremarkable releases it remains the group's crowning achievement. In the end, that only adds to its legendary status as one of the most creative albums of the early 90s, one that both celebrated and challenged past and existing forms of black expression in an effort to redefine hip hop, youth and blackness for a new generation of California kids with something to say.

In short, the Pharcyde display here a style and a viewpoint deliciously and profoundly contradictory (as life, and all good art that reflects it, usually is) in so many ways. Simultaneously subtle and brazen, overtly celebratory yet deeply dark and twisted, both ephemeral and timeless in scope, "Bizarre Ride II the Pharcyde" is one of those cult favorites that in a perfect world would've sold Michael Jackson units—a record that can be enjoyed by all without losing any edginess or provocative lyricism.

Ironic. Jazzy. Self-depreciating. Clever. Funkier than a bag of gym socks. On and on, and I'm only describing the first song. With four talented members of similar mind producing and rhyming (although Fat Lip does frequently steal the show with his effortless charisma), the group's debut LP has an amazingly natural feel both thematically and musically.

Not feeling contrived in the least, they manage to take on subjects both profoundly silly and serious, including the dozens ("Ya Mama"), police profiling ("Officer"), female (or, more accurately and hilariously, male) troubles ("Oh Shit!"), and black cultural exploitation ("It's Jigaboo Time (skit)"). And they do it all in a tone that's impressionistic, creative, improvisational and unstoppable; through entertaining storytelling and off-the-dome magic, each MC creates an engaging and convincing personae.

Musically, the group surrounds itself in can't-miss samples and deep funk grooves. Fifteen years on, these are joints that still leave you helpless not to nod to, break to, and throw your hands up to. You could call "Bizarre Ride..." a party album with soul, or maybe a "conscious" album that never forgot the all-important P-Funk mandate to free your ass along with your mind. Whatever you call it (and this classification is more difficult to do than expected, being so fresh a product) however, the tracks remain like the lyrical content a stunning reflection of The Pharcyde manifesto realized.

By simultaneously being aware of, following along with and audaciously rejecting the dichotomies and stereotypes inherent in being a black entertainer (or even a black man in general), "Bizarre Ride II the Pharcyde" isn't just a profound artistic statement, it is also arguably a valuable document in the ongoing dialogue of what it means to be disenfranchised in America. So please revisit this platter a few more times. Free your mind, free your ass, and take a bizarre ride to a place that remains pleasant, infectious, thought provoking and essential.

Music Vibes: 9.5 of 10 Lyric Vibes: 9.5 of 10 TOTAL Vibes: 9.5 of 10



Forse gli avrete gia' sentiti forse no,resta il fatto che questo e' purtroppo l'unico album che merita di loro.Un album molto simpatico quasi demenziale ma che ai tempi cioe' 1992 dove Dre usciva con The Cronic ha portato un aria fresca.Gran belle produzioni, al mic sempre costanti anche se non gli ricordero'/ricoderemo come i migliori mc esistiti,pero' questo album e' acclamato da molti come classico,non sono della stessa opinione visto che e' un album molto leggero pero' se parliamo del genere questo e' sicuramente uno dei migliori.Non dormiteci sopra.


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MYSPACE


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NYOiL - " Unreal"



Che bel pezzo.

Pato e' del Milan



Finalmente abbiamo concluso un acquisto, un bel rischio ma penso che il ragazzzo potra' crescere con gente come kaka' e ronaldo.

Tu Mi Dici Quello Che Devo Fare.....

E io lo faccio


Questo uomo e' un idolo assoluto.



















02 agosto 2007

Corona Non Perdona



Arrivo tardi.Pero' sono arrivato.
Si sono lette tane cose in giro contro corona e contro kalief,io invece vado contro corrente,Corona e' un idolo (speriamo che legga questo commento e mi faccia fare qualcosa)pero' questo Kalief e' abbastanza scarso,insomma Corona la prossima volta prendi un rapper decente ma se vuoi prorio puoi prendere pure me. ma Kalief e' veramente troppo scarso.
Buona fortuna per i tuoi guai giudiziari e non fermarti mai.
Respect Corona.

FIRMA ANCHE TU LA PETIZIONE....THE BEST ALBUM EVER

To: Def Jam


A NAS ALBUM WITH:



L.E.S



DJ PREMIER



LARGE PROFESSOR



JUST BLAZE



MARLEY MARL



PETE ROCK



RAKIM



SAIGON



OLU DARA



KOOL G RAP



AZ



FIRMA ANCHE TU QUI FIRMA LA PETIZIONE


SIGN THE PETITION


PETITION UNTERZEISCHNEN


ASSINAR A PETICAO

01 agosto 2007

Termanology & Dc - Out The Gate




Tracklist:

1. Statik Selektah Intro - DC, Termanology
2. This Is Hip Hop - DC, Kilia, Termanology
3. Motion Picture - DC, Termanology
4. 22 Years - DC, Termanology
5. Welcome 2 the Hood - Hectic, Krumbsnatcha
6. Out the Gate - St. Da Squad
7. Brotherly Love - Rock, Snuk
8. Circle of Life - Lee Wilson
9. When We Were Kids - Akrobatik,
10. Baby - Lee Wilson
11. My Life - L Da Headtoucha
12. Ain't Gotta Be Rich 2 Ball - The Shells, Snuk
13. Mommy, Daddy, . Grandma - DC, Termanology
14. Never Be the Same - Checkmark, ED Rock, Ghetto
15. Takin You with Me - DC, Fizz Daddy, Termanology
16. Ain't Fuckin with This - Prospect
17. Ready - Esoteric, Gutta
18. P-N-C Outro - Karen Christy, DC, Termanology
19. Anthem [*] - DC, Termanology


Review (rapreviews.com):

There's a lot to like about "Out the Gate," the virgin effort from Massachusetts rapper Termanology and his producer DC the MIDI Alien. There's also, unfortunately, a lot for the not-easily-impressed critic to pick apart and find fault with. The end result is an admirable effort crafted by uniquely talented individuals that would have severely benefited from a trimming down. I've encountered this before in underground hip-hop: the aesthetic decision seems to run along the lines of, "Let's cram all this shit in there, and people like what they like." But this album is 73 minutes long, and about 25 minutes is redundant and boring. The rest ranges from good to great, and the end product is wholly uneven.

This is particularly frustrating here because I like Termanology. I like his sing-songy flow that on occasion turns menacing, his penchant for laying his vulnerabilities out raw a-la-Eminem, and even his tendency towards sappy nostalgia. As a matter of fact, one of the most confusing aspects of this record is that even when shit got incredibly mawkish, naÔve, and simple, I couldn't hate. Term has that effect on a person. His sincerity shines through both the music and subject matter. It draws the listener in very deeply, and almost, ALMOST, makes you forget that six or seven songs sound strikingly similar. Credit this to his vocal stylings, a unique mix of low-key monotone talk-rap and guttural, urgent whispering.

Take "Circle of Life," Term's ode to his young daughter. I've listened to it four times already, and I still can't decide if I like it or not. On the one hand, none of it sounds forced or fake, and Term lets himself get swept away by the general loveliness of it all. He's like George Carlin playing the conductor on Shining Time Station, aware of how ridiculous this is all is but not caring, just throwing himself full force into the music. But this song, and a few others, IS pretty ridiculous. It's every "I Love My [Female Family Member]" track every rapper has ever produced. Memories of the night Wifey gave birth? Check. Regrets as to the status of current relationship with Wifey? Check. Assurances that daughter will always be taken care of? Oh shit, check.

The same problems are inherent when Term talks about how rap "used to be." I'm newer to this game than Termanology is, but surely even "back then" (which to Term is the late eighties, early nineties) rap had its problems? Surely some of it sucked? I appreciate DC the MIDI Alien sneaking in subtle musical shoutouts to such hits as Queen Latifah's "U.N.I.T.Y." on the sonically superior "This Is Hip-Hop." That song, despite overly fetishizing earlier hip-hop culture, works really well, again due to Term's charisma. But did we really need it again with "When We Were Kids"? We also get two My Life cuts ("22 Years" and the bluntly named "My Life") and another Love Your Family cut with "Mommy, Daddy, Grandma." Remember, this album is 72 minutes long. These should have been left on the cutting room floor.

(I have one more quick gripe that should have been fixed in editing: at the very end of "My Life" Term calls himself a "new school Slick Rick with no jewels." Then at the beginning of the next track, "Ain't Gonna Be Rich," he urges us to "check out my jewelry." Come on now! Nobody noticed that?)

But like I said, Termanology often really impresses, especially when he radically alters his usually calm and reserved flow style. I certainly don't want to harp on the negative here, particularly because most of it could have been retooled and fixed fairly easily. The aforementioned "Ain't Gonna Be Rich" is a strong posse cut featuring a scary, raspy, stuttering Termanology next to quality guest rappers. "Takin' You With Me" is one of the few cuts on which DC's beat jumps out and grabs you by the throat. It's a sly interpretation of a minor piano riff, and it undoubtedly mirrors other classics of threat-rap like "Shook Ones," even allowing the usually gentle Term to threaten violence against assorted baby-mommas and grannies. "Motion Picture" is musically subtle, but takes a surprisingly mature position on the inherent difficulties of the recording industry. "Ready" even features fellow Massachusetts emcee Esoteric, of whom this reviewer is a big fan, placed over a thumping background emphasizing beats two and four. It's really a great song.

So in the end, Term won me over. There's definitely some baking soda cut into the pure and addictive good stuff, but that seems to be a symptom of overreaching and definitely not a comment on talent. "Out the Gate" might inspire listeners to hit the skip button a few times, yes, but it contains enough raw ambition and emotional nakedness to make it worth your while. Maybe these young rappers just need a heartless critic in the editing booth, forcing them to do their best with witty bon mots and piercing sarcasm.

Okay, that's the last thing they need. But you know what I'm saying.

Music Vibes: 6.5 of 10 Lyric Vibes: 7 of 10 TOTAL Vibes: 7 of 10


Nel bene e nel male sono d'accordo con questa recenzione.Termanology ha indubbiamente un bel flow e una bella voce.Le liriche avvolte sono troppo da gangster ma quando i discorsi si fanno seri pure lui si fa' piu' serio e tira fuori perle come Circle Of Life.I beat avvolte non fanno quello che devono fare e questo DC non mi ha pienamente convinto pero' ci sono belle perle e Termanology con certi ateggiamenti fa' un po' ridere,spero continui sulla sua strada perche' le capacita' c'e' le ha e la sua voce resta per me uno delle piu' belle in questo momento.
Migliori canzoni: CIRCLE OF LIFE,MOTION PICTURE,THIS IS HIP HOP e 22 YEARS.


BEAT 6 LYRICS 7 TOTAL 7



MY SPACE




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SONDAGGIO CHIUSO


CON 50 VOTI TOTALI IL SONDAGGIO E' UFFICIALMETE CHIUSO.


BEST RAPPER ALIVE:


QUA LA LISTA:

1)NAS 52% VOTI 26/50

2)RAKIM 20% VOTI 10/50

3)OTHERS 14% VOTI 7/50

4)JIGGA 10% VOTI 5/50

5)MASTA ACE & ANDRE 300 2% VOTI 1/50

6)SCARFACE 0% VOTI 0/50





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INSOMMA MI PARE ABBASTANZA CHIARA LA COSA.

Ras Kass & Common Freestyle

RAS KASS




COMMON

31 luglio 2007

NY Oil - Y'all Should Get Lynched



E questo e' gia' un mio idolo.

Spit that shit.

Speriamo che si avveri insomma.

Moka Only - Airport (2007)





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Ha fatto parecchi albums,lui e' canadese,pero' sono veramente ignorante su di lui,ascoltero' questo album e vi faro' sapere se il tempo non me lo concede fatemi un fischo e ditemi che ve ne pare.

The D.O.C - No One Can Do It Better






Tracklist:


01 It's Funky Enough (4:29)
02 Mind Blowin' (3:35)
03 Lend Me An Ear (3:20)
04 Comm. Blues (2:22)
Drums - Yella
Vocals - Michel'Le
05 Let The Bass Go (3:41)
06 Beautiful But Deadly (5:10)
07 The D.O.C. & The Doctor (4:06)
08 No One Can Do It Better (4:50)
09 Whirlwind Pyramid (3:45)
10 Comm. 2 (1:20)
Drums - Yella
Featuring - MC Ren
11 The Formula (4:11)
12 Portrait of a Masterpiece (2:30)
13 The Grand Finale (4:40)
Drums - Yella
Featuring - Eazy-E , Ice Cube , MC Ren



Review (rapreviews.com):

Almost every rap album (and in truth a good majority of rock and metal albums) sold these days has that oh-so-familiar "Parental Advisory: Explicit Content" sticker on it. In fact between this reviewer and you the reader, I think we can both agree that it's become something of a joke. I can't imagine most of today's parents would be shocked at hearing the word "shit" come out of their teenager's mouth let alone from the music they're listening to. Free porn is on the internet, XM satellite radio is totally uncensored, and that video game Jane bought Johnny for Christmas probably has more gunplay than a Cuban revolution. These days there's nothing an "advisory" can advise parents or kids of that they don't already know. Back in 1989 when the uproar over the content of urban music was just starting to gain steam (three years before "Body Count" was pulled from shelves and then censored) the move Ruthless Records made was much more sly by today's standards. Even though the warning label was first introduced in 1985 and quickly became an industry standard, Ruthless chose not to put the warning anywhere on the front cover of The D.O.C.'s "No One Can Do it Better." Instead, in small print on the back cover below track 13, the words "Explicit Lyrics - Parental Advisory" are displayed.

Pretty slick move if you think about it. Ruthless Records could effectively argue that they did actually warn parents since it is mentioned on the packaging, but without the actual advisory sticker on it that parents were already familiar with thanks to the PMRC, many might mistakenly believe that this album was "kid safe" and either let them buy it or purchase it for them. And by all accounts "No One Can Do it Better" did sell very well. For years it was just a few thousand units short of going platinum, although Yahoo! News seems to confirm it did finally cross the threshold. Let's not get it twisted though, that has nothing to do with whether the album had a clear advisory or not, although back in those days it probably didn't hurt. What really made the album sell was two factors of equal importance: the production work of Dr. Dre, and the lyrical skills of The D.O.C. himself. Out of the Ruthless family, he may have been the strongest of them all in rhymes, although he was often overshadowed by Ice Cube. Vocally though he had an impeccable flow sharpened through years of rapping in his adopted home of Dallas, Texas (he was born in Houston) with the Fila Fresh Crew. Ruthless brought the group in, but when they disbanded and fell to the wayside D.O.C.'s star continued to rise, and it's clear why listening to the opening track "It's Funky Enough":

"I am not illiterate, no not even a little bit
Nothing like an idiot, get it?
You want the record, cool, I'm with it!
Let the rhythm take you, shake it cause it makes you
As I turn the knob to the door you escape through
Go in like a knot, don't be a puff
And I let it play cause Dre's gettin funky enough
[...]
If, you want another reason, why it must be funky
Yo I am not a jackass, meaning not a donkey
So I will play the game, like it should be played
Drop the funk into the mix so the place will never fade
Ship it - ship it the the stations, in your jurisdiction
Brothers say I'm dope, and the others say I'm bitchin
No crowd can avoid, the D-O to the C
When I'm P-E-R-F-O-R-M-I-N-G"

Even if you've never heard this song before, you've heard this song before. What? Yes you have. Not only is D.O.C.'s opening line "One, and in comes the two to the three and four" one of the most sampled in rap history (ranks right up there with some snippets from Biz Markie and Slick Rick), the bassline was so mind-numbingly dope it got jacked a thousand times or more. Ba boom, BA DOOM; ba boom, BA DOOM. It's mesmerizing, it's hypnotizing. When D.O.C. starts spitting over the track with his slight hint of reggae stylee, it's like someone cast a line and the fish hook landed straight in your ear. CAUGHT! You can't escape it. The song is habit forming, and may even be bad for your health. You can listen to D.O.C. spit the shit ten times in a row and not even START to get tired of it. The amazing part is there are still twelve tracks and forty-four minutes of "No One Can Do it Better" left to go, and few people in rap's history have ever lived up to that motto so well. He doesn't even let up for a second on the following track, aptly titled "Mind Blowin'":

"A little something for the bretheren with intellect to truly understand it
It's like a message from the one who's gettin candid
Making a mark on the strength with rhyme ain't like nuttin
when you're pumpin, somethin that's bumpin
Did it, cause it's like I had to make one
Better than the last one, cause a mistake? None!
But somethin new, was needed in the mix to
make it as lethal, so lethal that I would think you
couldn't be made to invade certain areas
No other jurisdiction, but that was fiction!
As you progress, and you're enlightened
And the better you're writin by never bitin you're excitin
to the crowd, club, congregation, or gatherin
Homies in the street they'll be thinkin you O.G.!
Smooth, wordy example of how I'm livin
By gettin this prime, pumpin records that'll blow your mind"

Let me cut right to the chase here - NOBODY was spitting like this in '89. The only people who might even come close are KRS-One, Kane or Cube on a good day, maybe Kool G. Rap. That's not to say he was the most powerful orator or most influential MC - guys like Chuck D and Rakim held that title. When you look at how D.O.C. constructed his lyrics though, it's as if you were standing behind Picasso watching him paint a masterpiece. Perhaps it's no coincidence then that The D.O.C. had a song on his album TITLED "Portrait of a Master Piece":

"A musical massacre of inadequate noise
by the new authority; cause the majority
of peers who hear will award superiority
To those who know you knew now it's inevitable
I laid the track and it's simply unforgettable
Time has told me better than gold, I sold
And in front of a group or soul is a new episode
So like see if you can grasp upon yet another one
Take it to the everyday like it's done to sun
Words connected, up to another degree
And every artist who painted this, portrait of a masterpiece
It's unquestionable
The lyrics used the D.O.C.'s a professional
Nothing exquisite to prohibit you from listening up
Crisp and clean, but I don't mean 7-Up
I preside illest dope but don't get frantic and panic
I'm just a man on a mission with somethin more in the attic
than just the ordinary.."

D.O.C. broke all the conventions and rules for rhyming at the time. He interweaved his rhymes in and out of lines, ran off beat at will without MISSING a beat, and never once insulted the listener by giving less than a full dictionary's worth of verbals. D.O.C. wasn't just dropping phrases like "a little something for the bretheren with intellect" to be smug or using words like "jurisdiction" because they were full of syllables - D.O.C. fully expected the audience to either understand where he was coming from or pick it up from the context. Great orators can do that, because their speech and breath control is so fluid and their voice is so commanding that you tune in and you catch on. D.O.C. doesn't stumble over big words or flub his lines and mistime his rhymes. Therefore you get the sense that how he speaks comes naturally to him. He was born with the gift of gab but he didn't rest on his laurels - he practiced the craft until it became high art. D.O.C. couldn't dumb it down if he tried - he operates on a higher level by nature. The best part of that is that even though The D.O.C. was a naturally gifted MC, he never purposefully goes over your head to rub it in your face - he stays gangsta. That's why when listening to him rap, he epitomized the phrase coined in one of his song titles - a "Whirlwind Pyramid":

"Amplified by a microphone, my point is known
So yo, leave the pad at home
I'm down with the sound so much that I can feel it
If there's a deal to be dealt, then I'll deal it!
I'm on a roll, that's word to the father
Chumps want to break, but I'm tellin 'em don't bother
Char the, memory of all who saw the
last who concerned, I burn like lava
So in sum you break, you broken
And I'm smilin.. but not jokin
Secrets are told, fold, I never did
With the knowledge as strong as a whirlwind pyramid!"

It's hard to adequately describe how much of an unbelievable pleasure it is to listen to "No One Can Do it Better," an album that not only exceeds the expectations anyone had for D.O.C. at the time but which goes down as an unqualified classic in the history of hip-hop. The beats are a throwback to an era when everything Dre touched was a smash, and with D.O.C.'s superb lyrical ability they became the best raps money could buy. Unfortuantely this album is as tragic as it is triumphant. After getting in a car wreck which threw D.O.C. through a windshield, his vocal chords were severed to the point that his golden-toned voice would never return. Every scratchy voiced wino heard on an N.W.A. skit is D.O.C. When compared to the magnificence of this album, it makes one want to weep for what was lost. Still this one album has been forever preserved for posterity, and had his accident not taken him out of the booth he might be spoken about today as one of the all time greats. One thing's for sure though - his voice may have bene broken but his mind wasn't. Any time you hear an unbelievably tight rhyme coming out of Dr. Dre's mouth, chances are that D.O.C. was the ghostwriter behind the scenes who came up with it and coached Dre to spit it. After all Grand Puba did it for Pete Rock. "No One Can Do it Better" - an album that not only lived up to but EXCEEDED the billing of it's title. If you don't own it, go get it. NOW.

Music Vibes: 10 of 10 Lyric Vibes: 10 of 10 TOTAL Vibes: 10 of 10




Questo e' l'album di debutto di The D.O.C..Arrivato al Platino e ha ricevuto i tanto famosi (al tempo) 5 mics di The Source, il tutto prodotto dal dottore con influenze e samples di gruppi funk,troviamo pero' anche una traccia che fa' molto Rund Dmc con influenza rock.The D.O.C al mic e' fenomenale e non rappa di droghe,soldi e puttane ma bensi' di molto altro.Questo e' un classico west coast sia per le basi di Dre sia per l'mc al microfono.Rapreviews dice tutto quindi:

Beat 9,5 Lyrics 9 Total 9





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30 luglio 2007

The Nonce - World Ultimate




Tracklist:

01 On The Air
02 Keep It On
03 Bus Stops
Featuring - Aceyalone
04 The West Is...
Featuring - Butta B. , Meen Green
05 Mix Tapes
06 Testing
07 World Ultimate
08 Good To Go
09 On The Road Again
With - Figures Of Speech
10 Hoods Like To Play
11 J To The I
12 Eighty Five
13 Mix Tapes (1926 Sunday Night Remix)
Remix - Nonce, The


The Nonce e' un duo composto da Nouka Basetype meglio noto come Sach e da Yusef Afloat.Loro al mic ci sanno fare anche se non gli ricorderemo come i migliori rappers esistiti,l'album e' tutto prodotto da loro ed e' una gran bella cosina,sara' un poco difficile per voi trovare na copia originale.Loro sono di Los Angeles ma hanno influenze jazzy,questo rimarra' un classico west coast molto dimenticato purtroppo.DON'T SLEEP.

BEAT 9 LYRICS 8 TOTAL 8,5


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Ieri....................CORRIDA!!!!!!!





Trichiana:

Ispirata alla famosa trasmissione, prima radiofonica e poi televisiva, condotta da Corrado e ora affidata a Gerry Scotti, farà tappa domenica a Trichiana(nella foto) "La Corrida", dilettanti allo sbaraglio. Nella splendida cornice del parco ristorante "Nova Busa del Tor", in località Frontin, andrà in scena a partire dalle 20 un esilarante spettacolo con cantanti, cabarettisti, musicisti, comici e ballerini locali.




E' stata una bella serata ieri,io abito a LIMANA,quindi sono pochi kilometri dalla BUSA DEL TOR,belissima posto in TRICHIANA.Sono arrivata con la convinzione di non fare niente visto che non sapevo un cazzo e andavo solo per vedere il mio amico RIZAI che faceva un pezzo con la sua amica.Arrivati pero' sempre il mio amico mi ha informato che aveva un paio di basi,ho detto allora ma si' chi se ne frega.Mi sono esibito alla serato con una prima strofa in tedesco tratta da un mio pezzo piu' un freestyle in italiano dove ho cominciato a dire parolaccie e un paio di stronzate.Purtroppo alla giuria pare non sia piaciuta nessuna delle nostre performance,non siamo arrivati tra i primi 8 (QUELLI CHE HANNO VINTO QUALCOSA).E' stata pero' na bella serata,la giuria purtroppo era posseduta da incapaci,apparte uno di LA SAI L'ULTIMA??.



QUESTO FIGO QUI E' RIZAI:




APPENA SARO' IN POSESSO DEL VIDEO DELLA MIA ESIBIZIONE LO METTERO' SUL BLOG STATE SINTONIZZATI.

27 luglio 2007

THUG LIFE - DEMO 150 $



Tracklist:


1. My Definition of a Thug Nigga (Original Version)
2. Thug Life with Big Syke
3. Fake Ass Bitches (Original 2Pac Version) with Rated R
4. Pour Out A Lil Liquor (Original Version)
5. I'm Getting’ Money (Original Version)
6. Faced Shootouts (Interlude)
7. Is It Cool 2 Fuck? with Rated R & Macadoshis
8. High Till I Die (Original Version) with Rated R & Macadoshis
9. Time 2 Get My Drank On with Y?N-Vee
10. Mr. Troublesome
11. Niggaz In Tha Pen (Original Version) with Mouse Man & Mopreme
12. Hidden Track 1
13. Hidden Track 2

Questo e' il tanto parlato album da 150 dollari,cosi' come 2pac voleva che uscisse,mentre non e' prorio male concludo questo post dicendovi che 2PAC IS THE MOST OVERATED MC IN THE RAP HISTROY.Pare manchi una traccia.





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You can buy this on MRMAKAVELI

Circuito Do Forro - Salvador De Bahia Story



Tracklist:

01 Patricinha - Forró Saborear
02 Estória de Corrinha - Caviar com Rapadura
03 Não é Nada Disso ( Bicicletas ) - Aviões do Forró
04 Meu Homem Animal - Capital do Sol
05 Luz, Câmera, Ação - Limão com Mel
06 Carta Branca - Magníficos
07 Alaquitanga - Frank Aguiar
08 Coração Cigano - Robério e Seus Teclados
09 Dois Bebim - Washington Brasileiro
10 Pode Botar 'resposta da Corrinha' - França - Forrozão Karapeba
11 Ela Chorou de Amor - Rasta Chinela
12 Depois das Seis - Charlys da Rocinha
13 Amor Demais - Carlos Mais
14 Joana - Arriba Saia
15 Carimbó do Cachaceiro - Os Raparigueiros do Forró
16 Pode Me Bater - Francis Lopes
17 Doidim por Muié - Forró Sacode
18 Não é Brinquedo Não - Pipoquinha de Normandia
19 Xamego Xamegado - Rabo de Vaca
20 Conto de Fada - Banda Calypso


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Allora diettro questo cd c'e' una stroia.Intanto non e' hip hop come potete capire.Lo comprai in brasile a salvador de bahia nel 2004 e' una specie di compila in cui ci sono i cantanti piu' importanti di salvador de bahia ma non solo.Il genere e' il forro,che personalemnte mi piace molto.Ci sono canzoni molto romantiche come Pico da Paz,ma ci sono canzoni assolutamente fuori di testa come Nao e Nada Disso,molto rivolte sul sesso e sulle donne brasiliane,il bello e' che queste canzoni in brasile suonano 24 ore al giorno e tutti ballano e cantano anche se i testi sono spinti fino al massimo del possibile,faccio una citazione: "mentre ti scopo ti tiro i capelli perche' so che ti piace".
Questo e' quello che volevo dirvi riguardo a questo cd,pero'il mio vuol essere un discorso piu' complicato.Oggi mi sentivo nostalgico e mi andava di postare questo cd ma insieme anche di raccontarvi qualcosa di questa citta' salvador de bahia e del brasile.Probabilmente oltre alla mia nostalgia si aggiungera' la vostra invidia ma poco importa.



Intanto una notazione storica,salvador de bahia e' la vecchia capitale del brasile quando arrivo' colombo e tutta quella gente li.Ma bando alle ciance un po' di immagini di SALVADOR DE BAHIA:



Questo e' l'ascensore che porta dalla citta' bassa alla citta' alta (PELOURINHO).
Salvador de bahia conta circa 8 milioni di abitanti quindi STAI ATTENTO.




Questo qui e' fondamentalmente il centro storico (dove micheal Jackson registro' un video di una sua canzone) di salvador de bahia.




Un immagine del carnevale a salvador,che mi dicono e' 10 volte meglio di quello di rio.ma visto che non ci sono mai stato posso solo stare zitto e pure contento visto che ogni anno parecchi ci lasciano la pelle.




E qui il rovescio della meglia,quella brutta.Le favelas e la povera gente in brasile e' normale,visto che uno stipendio medio non supera 200 euro al mese SE SONO FORTUNATI.Anche qui c'e' una storia anzi molte storie.Mio padre che a SALVADOR DE BAHIA precisamente alla LAGUNA DO ABAETE possiede una POUSADA E PIZZERIA che e' in una zone non molto ricca,anzi pero' quando sono andato io era abbastanza sicuro visto che a 5 metri c'e' una di quelle stazioni di polizia che ci sono in brasile,i tempi pero' sono cambiati, pure quando c'ero io pero', quando partivano le risse con gente che rompe bottiglie per accoltellare quell'altro e la polizia spara a caso e ti puntavano le pistole adosso era meglio barricharsi in casa,ma ora e' peggio ogni tanto ci scappa il morto.A quei tempi avevo inoltre una morosa dal KM 17,una favelas di bahia,in cui pero' c'era una zona in cui c'era tipo un residence,mio padre era amico di uno svizzero che aveva un appartamento li,e mi impresto' le chiavi,uno giorno si e un giorno no ci andavo li',naturalmente con lei,un giorno passamo dai suoi amici per andare in un posto, c'era tanta gente che giocava a calcio e cosi' via,quando passai erano tutti a guardarmi NON CHIEDETEMI PERCHE',sara' che ERA FIGA??,sara' che VOLEVANO ME.BUHHHHHHHH??????????,MA CREDETEMI NON E'BELLO.
Un altra storia,un giorno uscivo dal casa di mio padre per andare in spiaggia,e' molto tranquillo,non ci dovrebbero' essere pericolo di giorno visto che ci sono migliaia di persone,e incontrai il snoop doog brasiliano,lui faceva disegni e parlava alcune lingue tra cui il tedesco e l'italiano,era una persona molto strana e voleva a tutti i costi farmi il ritratto,io lo portai con me in spiaggi dove mi aspettava mio fratello parlammo e mi fece il ritratto (30 cent) e dopo lui se ne ando'.Il bello arriva quando scopro attraverso mio fratello che quel tipo era conosciuto e aveva derubato dei tipi tedeschi,insomma l'ho' scampata di brutto.
Ma la cosa piu' brutta la vissuta mio fratello,aveva preso un appuntamento con dei suoi amici che conosceva da tanto anche attraverso internet,io non ero in brasile.Ando' nel posto dove si dovevano incontrare,un tizio si avvicina e gli dice di dargli la telecamera (un altra l'aveva gia' rotta perche' dei tipi lo avevano picchiato in spiaggia davanti a tutti e io non avevo visto un cazzo)e mio fratello (molto pauroso) ma dal suggerimento di mio padre gli diede una sberla,lui tiro' fuori' una pistola e grazie a dio gliela diede sulla testa.Ma la cosa non era finita,dei tipi lo trovaranno frastronatto dalla botta in testo e lo portarono in macchina con loro (mio fratello mi racconto' che penso' di essere morto) perfortuna loro volevano solo aiutare e lo portarono dal medico.

Insomma se ci andate,dovete conoscere le zone,dovete trovare qualcuno che ne sappia.




Eccome non potevo parlarvi di questa cosa???.La cosa piu' importante.Chi va' in brasile non puo' non permettersi queste tipe qua.Se andate in Brasile e a Salvador De Bahia STATE ATTENTI,ci sono molte trans,le puttane invece sono abbastanza sicure anche dal punto di vista delle malatie visto che si curano molto le brasiliana ma e' sempre meglio trovarsi una bella ragazza non a pagamento,se poi non avete un cazzo da fare e avete dei soldi e volete spendere i soldi per il CAZZO,DOVETE PER FORZA FARE UN GIRO QUA:

SEXOMAIS

IO FOSSI IN VOI UN GIRO ME LO FAREI.

Ma la vostra invidia salira' ulteriormente,se pensate che passavo diverse notti con delle belle ragazze in questo posto qua:

MOTEL DECAMERON

I prezzi per noi sono assolutamente irrisori,anche contando la qualita' e il resto,visto che ti danno TUTTO,inoltre c'e' una stanza dove se vuoi(paghi di piu') puoi trasfromare la tua donna in una infermiera o quella che piu' desideri.








Vi lascio con 2 immagini della LAGOA DO ABAETE.A 500 metri trovate la pizzaria e la pousada di mio padre,adesso fa' pure il gelato.Ve lo consiglio tanto come posto,di gionro non e' pericolosa siete a 1 minuto da casa,vi svegliata e fate una bella colazione con frutta di tutti i tipi nella pousada di mio padre e andate alla lagoa e se non fa' per voi a 2 minuti a piedi c'e' la spiaggia.Un posto assolutamente comodissimo e che dovrebbe essere piu' sicuro di molti altri.Non mi ricordo il sit internet di mio padre e della pousada,ma se siete interessanti contattate:

rosariolatina1@yahoo.com

oppure:

rosariolatina@hotmail.com

PEACE.